If you’re a first-time author, read this before you post Your First chapter online—or hit publish.
The truth is, most first-time author mistakes don’t happen halfway through the book.
They happen on page one and in the first chapter.
So you’re writing your first book—and you’re staring at that blinking cursor, praying your first chapter sticks the landing.
But here’s the truth: most first chapters fail. Not because the author lacks talent, or heart, or vision. They fail because the author didn’t understand what the first chapter has to do. Your first chapter isn’t just the beginning of your story. It’s the audition. The handshake. The reason someone keeps reading… or quietly backs out and chooses a different book without saying a word. Whether you’re self-publishing or aiming for traditional, your first chapter determines whether the rest of your book ever sees the light of day.
And if you’re a first-time author? You’re more likely to fall into the same traps that kill momentum before it even begins.
In this blog, we’re going to cover 15 first chapter mistakes that cost new writers readers, reviews, and sales—and what to do instead. These aren’t abstract writing theories. These are real issues I’ve watched tank book launches, deflate brilliant stories, and leave debut authors wondering what went wrong. Let’s fix it before you publish.
Why? Because what you put in that first chapter determines everything. It’s the handshake, the open door, the spark of trust between reader and writer. And if you don’t get it right?
No amount of ad strategy, launch team, or beautiful cover is going to save it.
Let’s break down the most common, credibility-destroying, reader-repelling mistakes that first-time authors make in their first chapter—so you can avoid them like your future royalties depend on it. (Because they do.)
Writing Home Desk
This 40 inch desk is a great choice for small space, providing plenty of leg room.
1. Starting with a History Dump Will Ruin Your First chapter
Look, I get it. You’ve spent weeks—maybe months—building this world in your head. It’s full of lore, generations of backstory, maybe even a war or two. But unless your reader already knows and loves this world, they’re not here for a textbook. They’re here for a story.
Why it flops: A heavy lore-dump in the first few pages signals to readers that you care more about explaining than inviting.
How We Fix it: Weave your history into the narrative through character tension, mystery, or dialogue that feels natural, not forced.
2. Delayed Conflict or Action Will Also ruin Your First chapter
If your first chapter is nothing but a slow morning routine, some poetic weather metaphors, and internal musings—we’ve got a pacing issue.
Why it flops: Readers don’t wait around for things to “get good.” If there’s no hook by the end of page one, they’re gone.
How We Fix it: Introduce tension immediately. Conflict doesn’t have to mean chaos. It can be emotional, internal, or atmospheric. But it has to be present.
3. A Passive Main Character Will hurt and ruin your first chapter
If your protagonist is just watching things happen, following people around, or “thinking about” acting—you’re setting them up to disappear in their own story. And somewhere in the novel another main character erupts before you even realize what’s happening.
Why it flops: Readers want to connect to someone who does something, not just someone who exists on the page.
How We Fix it: Give your character agency early. Let us see what they want—even if they don’t get it right away.
4. Having no Clear Stakes will ruin the first chapter
What’s at risk? What could be lost? If your reader doesn’t know what’s hanging in the balance, they won’t feel urgency—and urgency is what keeps pages turning. Readers love to know there’s something bigger than the MC’s introduction
Why it flops: A story without stakes is just a beautifully written nap.
How To Fix it: Even if the big danger isn’t introduced yet, give us a reason to worry now—about the character, the relationship, the world, or the moment.
Smooth Writing Pen Sets
High-End Series Retractable Pens for Journaling Note Taking, Cute Office School Supplies Gifts
5. One Voice for Every Character
Dialogue should sound like real people talking—not like one person playing dress-up with different names. Think of text messages…if you read you and your Bestie’s messages, I’m sure you’re other friends would know the difference.
Why it flops: If readers can’t tell characters apart, they’ll stop trying to connect with any of them.
How To Fix it: Give each character a unique rhythm, vocabulary, and energy. Grab your handy notebook and jot down things that make each character laugh, cry, if they’re sarcastic, what they hate and what they love. If they all sound like you, it’s time for a rewrite.
6. Genre Confusion
Are we in a rom-com, a gothic horror, or a political thriller? Maybe it’s a Fiction Romance, if your first chapter can’t decide, your readers won’t either.
Why it flops: Confused readers don’t stick around to get clarity. They just leave.
How We Fix it: Nail your tone early. The genre promise should be felt before you ever come out and name it.
7. Weak or Wandering Opening Lines
If your first sentence is forgettable, your chapter is already in trouble.
Why it flops: You have seconds to earn trust. A weak opening line says, “This isn’t urgent.”
How To Fix it: Lead with tension, mystery, or movement. Ask a question. Create discomfort. Hint at something bigger. Think “what captures me in the first or second line”
8. Writing That Tries Too Hard
Yes, we love pretty prose. But if your first page is jammed with metaphors, similes, and lyrical wandering, readers will tap out. As their thoughts try to play catch up with all the metaphors you imprinted.
Why it flops: Overwriting reads like insecurity. Simpler is stronger—especially at the start.
How To Fix it: Focus on clarity. Let beauty emerge naturally, not in every line.
Check Out Our Other Post – How To Write A Christian Fiction Novel
9. in the first chapter create an Emotional Anchor
If I don’t feel anything after chapter one—no curiosity, no fear, no connection—I’m out and so are your readers
Why it flops: Readers follow emotion, not just events. Humans love to feel, especially human readers. We tend to want to feel even more. Feelings project images and images project memories.
How To Fix it: Tie everything back to the emotional why. What does your character care about? What’s keeping them up at night?
10. Over-Explaining in the first chapter
Trust your reader. If you hold their hand the whole way, you’ll rob them of discovery—and of any reason to keep reading.
Why it flops: Over-explaining feels patronizing. Readers want to be respected.
How We Fix it: Say just enough to guide them. Let subtext do the rest of the heavy lifting.
Lined Writing Pad
11. No Direction or Purpose
Each scene needs a goal. If your chapter just exists because it’s “pretty,” it’s not pulling its weight. Everything should lead back to everything. What was the purpose of you including it when and where you did?
Why it flops: Readers subconsciously ask, “Why am I here?” If the scene doesn’t answer, they move on.
How To Fix it: Every scene should push plot, develop character, or raise stakes. If it doesn’t, cut it or reshape it.
12. Insta-Love in the first chapter?
They locked eyes and fell in love? No tension? No conflict? No buildup? Highly unlikely in Reality. The phase “Opposites attract” came from somewhere, probably two lovers that couldn’t stand eachother.
Why it flops: Instant romance kills believability—and robs readers of what they came for: the slow burn.
How To Fix it: Let relationships simmer. Let tension rise from something, from somewhere. Let them earn each other. The tension is the love story.
13. Having Characters In the first chapter Who Feel Like Concepts
If your main character is just a vehicle for a theme or a plot, but doesn’t feel real, the story will fall flat. Real characters are real people readers connect with. Take me for instance, I’m stilling waiting on a book to come out that never will, just so I can read my favourite character again.
Why it flops: We don’t fall in love with ideas. We fall in love with people.
How We Can Fix it: Flesh them out. What makes them weird? Flawed? Likeable even when they mess up? Give readers a reason to make your characters their new bestie
14. Ignoring the Reader’s Experience
This isn’t just your story—it’s also their journey. Make sure they’re not lost, bored, or confused by page five.
Why it flops: Readers don’t owe you their attention. You have to earn it.
How We Fix it: Read your first chapter out loud. Imagine you’re hearing it for the first time. Does it invite you in—or leave you outside?
15. No Hook at the End of the First Chapter
Your first chapter should end with a gut-punch, a question, or a door left wide open. Leaving the reader on the edge of their seat.
Why it flops: If you give readers a natural place to stop, they will.
How To Fix it: Cliffhanger. Reversal. Revelation. Something that makes us say, “Okay, just one more page.”
Final Words From Your Blogger Editor-in-the-Wild
You don’t need to be perfect on the first try. No one is. But if you can see these mistakes now, you can fix them before your readers find them… and quietly set your book down forever.
Writing your first book is a wild ride. But making your first chapter unskippable? That’s where the shift happens. So go ahead—open your manuscript. Highlight what needs fixing. And remember, you’re not here to just write a book.
You’re here to write a book people actually finish.
Stay faithful, stay quirky, and stay writing.
With love and fire,
V.S. Beals
Writer. Watchwoman. Woman of the Word.
3 responses to “15 Mistakes That Will Ruin Your First Chapter (and How to Make Sure Readers Keep Going)”
-
[…] If you made it all the way here and are still interested in learning how to become an even better writer. Check out our next blog 15 Mistakes That Will Ruin Your First Chapter (and How to Make Sure Readers Keep Going) […]
-
-
Leave a Comment